a_team_20My dad used to watch The A-Team when I was a kid and the main character. The main character, John “Hannibal” Smith, was known for chomping on a cigar and saying, “I love it when a plan comes together.”

I know how he feels. I’ve had this historical novel project in mind for at least five years, probably more. I knew I wanted to do a novel set around the 1922 national coal strike set in Western Maryland. I’d written about the strike in a couple articles, and it had come up in a non-fiction book that I’d written. It seemed like a rich setting for me to work with. The strike seemed like it would have a lot of action and drama.

Previously, my efforts in historical fiction have either been my family saga, Canawlers, which is set on the C&O Canal or action-oriented books as in The Rain Man or October Mourning. This novel I envisioned as being more action-oriented. However, I’m beginning to wonder about that now. It may wind up being a very character-driven story.

I had many false starts with the book. I’ve probably written the opening two or three times. I’ve written different scenes. I’ve got it outlined, and have done a lot of the research I needed. Yet, they didn’t work. Something was missing. It wasn’t coming together.

Every time that I put the book on my schedule as a project that I wanted to finish, I’d get started on it and then get distracted by another project. For me, when that happens, my belief is that if I’m writing something that I can’t stay interested in, I’m not going to write something that a reader will be interested in. Plus, I need to maximize my time, and if I’m struggling to push through writer’s block on a project, that is time I could have been doing something that pays.

I actually had this project on tap as one that I wanted to release this year as a herculean effort to produce four books in 2018. I’m putting the first book on the schedule to bed now and doing work on the second book.

Then all of a sudden this past weekend something clicked inside my head and pieces started falling into place for how I could structure the story, which has a working title of In Coal Blood. However, even though I’ve loved that title for a while, I’m not sure it will fit the book that I’m writing now. Maybe that was the problem. Maybe my title caused me to think of the book differently.

I spent all weekend writing notes about characters, outlining section of the book, and writing scenes. I’m really liking what I’m coming up with. I think this has been the turning point for this project. I believe that this year will finally see the publication of the story. I think that I may even switch it with the project that I should be working on.

I had this happen once before when I hit a major stumbling block with my first historical novel. I actually got about halfway through the draft, and it just wasn’t going anywhere. I banged my head against the wall for a long time before I finally laid the book out chapter by chapter on postcards. That’s when an epiphany hit me that a major character who was supposed to survive the story needed to die. Once I wrote that into the story, the floodgates opened, and the book was easy to write from that point on.

That’s how this has happened. I think the key point this time was that I needed to make the story more personal for my main character. Originally, he had no ties to where he was. He was being sent as an undercover Pinkerton agent into a community to infiltrate the miners’ efforts to unionize. It was a job and that was pretty much all it was. Then I decided to connect him personally to the community and have him face some of his demons.

He was always a WWI veteran, but I began to think of him as a man who had joined the army at the beginning of the war to escape the mining life. After the war, he did not return home because his parents had died from the flu. He had missed their funeral because he was still in Europe. He still works for the Pinkertons in Baltimore as an undercover agent. However, now I have him returning home because he was offered a job that would pay more than usual because of his connection to Western Maryland. He is also trying to get away from the memory of a failed romance in Baltimore.

By connecting him to the community, the book is now so much better for it. It is all coming together. I’ve created new characters and fleshed out the ones I already had.  This is giving me a better understanding of who these characters are, and with that better understanding, I am so looking forward to writing this book. I’ve got so many ideas. Now my problem is getting my other work complete because I’m spending so much time on this story.

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